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Owned by Vojtěch

Live Sound Academy

Public • 7 • Free

A mastermind group for sound engineers 🔊 by livesoundcourse.com Crowdsourcing and streamlining audio education to make it accessible and fun 🎉

Memberships

Skool Community

Public • 174.1k • Paid

The Skool Games

Private • 22k • Free

Theatre Mixing School

Private • 5 • Free

MyAudioAcademy (Free)

Private • 412 • Free

4 contributions to Live Sound Academy
Hey everyone! 🎶
I’m excited to connect with fellow music lovers! Whether you’re into discovering new genres, sharing playlists, or discussing your favorite artists, I’d love to hear your thoughts. What’s been inspiring you lately? Any hidden gems you’d recommend? Let’s share the vibes! 🎤✨
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New comment 6d ago
0 likes • 13d
Hi, welcome in the community! Do you have any playlist recommendation for live venue playlists?
The structure of courses is complete
I just finalized the structure of first two courses here on skool🧑‍🎓1️⃣Sound Essentials 2️⃣Live Sound Course ➡️You can check out the overview here: https://link.vojtechpanenka.com/skool_course_overview. ➡️Do you have any favorite topic I should start with? DM or comment😉
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How do I prevent feedback?
Noone likes the occurance of feedback. It hurts, it distracts... nobody wants it. Even a small amount of feedback can get you fired from your sound engineering job. How to prevent it then? Let's use a FEEDBACK DESTROYER and ring the system out! Just kidding. I don't believe they really work the way thay were intended to. Instead I would suggest to be mindfull of your signal flow and use EQ wisely. I use my EQs in 3 different ways: - for microphone compenstaion - for speaker compensation - for sound source correction/creative EQ All of these can be combined into one EQ processor, however four parametric bands are usually not enough. What I like to do is to use a channel EQ for sound source color correction, ą group EQ for microphone type correction ("headsets", "handhelds" etc.) and a bus/matrix EQ for lodspeaker correction. I also use the least or an inserted PEQ for correction of acoustic rezonances.
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How do I prevent feedback?
What is this community all about?
I had a dream. A place where you could discuss anything about audio education - how to teach and how to learn, where to begin and where to continue next. To build and share a platform for emerging audio engineers to learn and prosper in their career. But I didn't want to do it alone, let's utilize the power of crowdsourced know-how and build it together! What can you share? Anything valuable. Here are a few ideas: - Educational infographics and papers - Schematics diagram and explanation of your setup (mixer, PA, event, concert, stream, theatre...) - Advice on how to start or how to learn something - A story from your engineering life - Ideas for webinars, seminars & courses - Anything you are interested in and don't know where to start (sound related) Have fun and learn!
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Vojtěch Panenka
1
2points to level up
@vojtech-panenka-2021
Live Sound education 📚 live sound courses & resources 🔌 over 10 years in the business

Active 6d ago
Joined Sep 26, 2024
Prague
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