Working on "We Are The World" was one of the greatest blessings of my life and career, and I learned a lot of lessons watching him, Michael Jackson, and Lionel Richie put together that legendary song from beginning to end. I think this might be helpful to others too. Quincy Jones was not a legend by accident. Everything he did, from what I observed, was based on immense talent, deep insights, and life lessons that made him look beyond the surface for what touches the soul. This goes way beyond just musical skills. It's a way of looking at all things. From the first day of tracking I was like a fly on the wall listening to the conversations he and Michael would have about what they wanted people to FEEL when they heard the song. It was way beyond the notes. It had to touch the heartstrings and tap into us all being one, no matter what color, nationality, enthnicity, or religion. To make that happen via sound was very intentional. Watching and listening why they cast certain musicians, find the right sounds, modify the feeling of different parts, and craft the lyrics was amazing. Listening to them explain why things like the bass part and sound had to be changed to not draw too much attention to it ,or be too funky was an incredible insight. The song should always be about "We" and never "I" am the world. Mind-blowing! Watching Michael Jackson pull out the original lyrics and then they all zeroed in on certain lines like changing it to "there's a CHOICE we're making. We're saving OUR OWN LIVES" instead of (and I'm paraphrasing) "there's a chance we're taking. We're saving all their lives" was so eye opening because they always wanted the song to be INCLUSIVE so that it's not a separate US vs THEM thing, even though the song was about saving starving children. We are all in this together and that was their purposeful mission. Changing little lyric phrases like that made the song a masterpiece, so MISSION ACCOMPLISHED!! There were so many lessons I learned during that time that I will always carry with me and I still use to this day. So dig DEEP beyond the surface of all aspects of your music and never stop short.

BOO! Attention freaks, geeks, fools, ghouls, zombies, ghosts and…HUMANS! Is it the Monster Mash? How about Thriller? Maybe the Time Warp again? What is your favorite Halloween tune? Even better…have you ever written your own spooky music? HAPPY HALLOWEEN!

Hey, guys. I'm working on a beat I made and there's a combo of two 808s that come in and out to make up my 8 bar pattern. The one I need help with is pretty inconsistent, definitely needs that consistency style of compression, but I can't seem to get it to even out. I've run into this problem before with other beats, but I really want to get this right. I' tried using a single compressor as well as serial compression until each instance it plays had the same amount of gain reduction. I'm pretty sure I have way too many on there now. There's like seven, but the gain reduction is all under 2 dB. I tried using a slower release time still on tempo when I did the serial compression. It did get the other parts to the same level, but the last section is still noticeably louder. I haven't tried it with the faster release time, but before I spend days more on this, I thought I'd come ask you guys for help.

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