Much appreciated @Michael Ulm, I had the building darker originally, but turned it down as I was worried it would be too much. I appreciate the insight!

@Joey Swerdlin Thank you! I will!

@Alessia Dal Bo' Thank you for your lovely comments! The view is generated from a 3D Sketchup model, exactly how @Henry Gao describes it in the Morpholio course. I had an idea of the view I wanted to capture, so it was just a matter of fine-tuning the position of the model to capture the view I was after. Honestly, this was probably the trickiest part of the whole process, getting familiar with the view positioning tools in the 3D viewer take some practice. From there, it was pretty straight forward in terms of workflow, sketch the building over the model, then fabricate a background, add some contextual figures, textures, shadows, sky, and put it all together. I have found I really enjoy painting clouds with the water color brush at various sizes, which is how I created the sky. I took the stamp tool and composed a background of trees since this house is set in the forest of the rocky mountains, and then sketched over them using the dashed lines. I took this trick from another illustrator that I follow and admire, Amin Zakaria (sp?), who does some similar things with his context to keep the focus on the building. Finally, I used Henry's method for adding figures by selecting some cutouts from Mr. Cutout, taking a screen shot, importing, and sketching over them. Let me know if you'd like to hear any more about the process!

Hey @Omar Higgins these are looking great! I think you can push them further (if you want) by further pumping up the line weight like we discussed in a previous post of yours. I would also recommend that you add some indication of textures on the building planes with line work or hatching in addition to the color poche. This will add some depth and character to enhance the elevations in my opinion. I also think that if you're adding color to your composition, you may want to consider a color harmony that may work well together, even if it's not truly realistic to life. For me, your warm brown color clashes with the blue and green and are fighting for dominance in the elevations. I like how your foliage is looking, the transparent quality is really nice, and I love how you can still see the architecture through it! Keep up the good work!

@Omar Higgins I totally understand when the color is the demand of the client. If you can't change the colors to suit here, there's always the next one! Looking forward to seeing your progress!

@Michael Ulm You could consider trying this workflow to achieve what @Henry Gao is saying: Step by step: 1. create texture with brush on a new layer. 2. duplicate base layer for each type of surface plane (then hide for clarity) 3. use the transform tools in procreate to skew the texture layer to match the perspective of a set of planes in perspective 4. use a layer mask, or selection tool to mask or delete the texture from the surfaces that do not match the perspective 5. repeat for each plane of your perspective (1-point, 2-point, etc.) Its a bit tedious, but the effect could be worth it!

I follow a couple of artists on Instagram who employ this technique regularly, Derek Dominic Desouza and Phillip Sue, I would recommend checking their work out!

This is so awesome! I can't wait to try it out as well! As always, thanks for sharing @Michael Ulm and @Henry Gao !!