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Fix-The-Mix™

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4 contributions to Fix-The-Mix™
Happy Accidents
I once had a recording interface malfunction during a drum recording session. It kept recording, but somehow added this crazy bitcrushing effect to all the channels. The wild part? It started right when the heavy chorus hit and ended up fitting the song perfectly, so I decided to keep it. Let's talk about your happy accidents in and around the studio!
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New comment 7h ago
1 like • 7h
@Phillip Patterson That's the studio magic :D
Introduction
Hi everyone! My name is Julian, and I'm a music producer based in Munich. I’ve been running my own studio for three years now, working with artists to bring their musical visions to life—technically, creatively, and most importantly, emotionally. I’m here less to debate the best plugin for a specific task and more to connect, explore creative approaches, and find ways to stay inspired. I’m passionate about the idea that a balanced, healthy life is key to thriving in the music industry—it’s the foundation for sustaining both creativity and passion over the long run. I’m looking forward to learning from all of you, sharing ideas, and connecting with like-minded creators. Excited to be here! Julian
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New comment 1d ago
1 like • 1d
@Kendra Brown Nice to meet you! I am new here on Skool, it seems I have to get to level three to chat via direct message. You can reach me on instagram @suedparkstudio :)
A great Fix The Mix!!
Todays mix session, encourages the need to do recording and production to the "best as you can" format. Take the time to do the details! The song today is a true representation of well prepared tracks. The sessions were shorter and not bogged down in fixing issues that should have been done in the production stage. I was so engaged with the process of working with well prepared stems, before Jake and Caleb did their magic to make it sound so good! Even before they started their work, the song sounded great, just using volume and gain. One of the best Fix The Mix sessions yet. lots of nuggets to take in and looking forward to the vocals tomorrow. Cheers 😃
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New comment 21h ago
1 like • 1d
To ensure a great starting point, I do all my editing in a separate session on a different day before mixing. This way, I can start fresh with everything clean and organized. Drums are tightly aligned, vocals are tuned and perfectly in sync, plosives and clicks are eliminated, and heavy noise is already reduced. It makes the mixing process much smoother and more focused! And fun :D
Drum samples.
Is there anyone making their own drum samples? I am making my own by recording the sound of each drum, each cymbal, each rim shot, hi hats open, closed, each shaker (I have lots of them), each cowbell, rattler, soon to be also a Cabasa, and all the notes on the glockenspiel as well as the double-row chimes. Once done with recording, I'll go through and do all the editing and all that other fun stuff that the samples need. This is gonna be a fun project to do. It's an 8 piece set of DW Concept Maple with all new Evans heads along with a 9 piece set of Zildjian Avedis cymbals and other various percussion instruments. Any suggestions on how to make dis happen? Should I bake in the panning information for each track or should I leave them in mono? What would you do? I'd love to hear your opinion. 🤠
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New comment 23h ago
1 like • 1d
When I’ve done recordings with unique or interesting moments, I love keeping some of those—whether it’s percussion loops, one-shots, or other creative sounds and noises—for my very own sample library. I usually solo those elements in the mix session and export them then. Later on, I can reuse them in other productions where they fit, giving them a new life and taking their magic to a fresh context. It’s always exciting to see how they transform in different songs!
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Julian Scheufler
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8points to level up
@julian-scheufler-5132
Munich-based music producer at Südpark Studio, turns creative visions into professional tracks, blending technical expertise with artistic intuition.

Active 6h ago
Joined Nov 18, 2024
Munich
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